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All comparisons

On Writing

Stephen King

VS

Bird by Bird

Anne Lamott

On Writing

Stephen King

Pages
288
Focus
Stephen King has sold 350 million books. He also nearly died when a van hit him while he was walking on a Maine road in 1999, and wrote much of On Writing during his recovery โ€” which means the book about writing was also a book about survival, about whether there would be more books at all. The first half is memoir: a vivid, funny, often dark account of King's childhood, his alcoholism, his marriage, his early rejections. The second half is the most direct, opinionated, and useful advice about writing craft ever put in a book: kill your adverbs, trust your reader, write with the door closed and edit with the door open, read constantly, write every day without exception. King doesn't hedge. His rules aren't suggestions.
Best for
Writers of every level who want the most unfiltered, battle-tested advice available. Anyone who has been mystified by the gap between the story in their head and the words on the page. Readers who want to understand how Stephen King โ€” with all his flaws and excesses โ€” became Stephen King.
Style
Blunt
Bird by Bird

Bird by Bird

Anne Lamott

Pages
239
Focus
The title comes from a story: when Anne Lamott's brother was 10, he had a school report on birds due the next day that he'd known about for three months and hadn't started. He sat at the kitchen table, overwhelmed and near tears. Their father put his arm around him and said: 'Bird by bird, buddy. Just take it bird by bird.' That instruction โ€” break the impossible into the manageable, one piece at a time โ€” is the entire philosophy of this book. Published in 1994, Bird by Bird is partly a craft manual and partly a permission slip: permission to write terrible first drafts, to be afraid and write anyway, to be imperfect and published anyway. Lamott writes about writing with the same honesty she writes about everything else: addiction, faith, envy, grief.
Best for
Writers who are paralyzed โ€” by perfectionism, fear of judgment, or the crushing awareness of how far their work is from their ambitions. Anyone who has started a writing project five times and abandoned it. People who need permission more than they need technique. The book most often recommended to writers who are stuck.
Style
Warm
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Similarities

  • Permission to be imperfect. Both books insist that terrible first drafts are not only acceptable but necessary. King calls it 'writing with the door closed.' Lamott calls it 'shitty first drafts.' Same instruction, different vocabulary: the first version is supposed to be bad.
  • Show up and write. Both books are deeply hostile to the 'wait for inspiration' approach. King writes 2,000 words every day of the year including Christmas. Lamott prescribes sitting down even when you have nothing. The agreement is total: writing is a practice, not a mood.
  • Memoir as craft book. Neither is a dry manual. Both are deeply personal โ€” King's near-death experience and alcoholism, Lamott's anxiety and faith crises run throughout every chapter. The life is inseparable from the advice. That's the point.

Differences

  • Scalpel vs embrace. King's voice is direct, impatient, occasionally harsh: kill adverbs, don't use passive voice, don't explain your metaphors. Lamott's voice is warm, anxious, self-deprecating: you're enough, the work will come, be kind to yourself. Dramatically different emotional registers for the same subject.
  • Craft vs courage. On Writing is primarily about technique โ€” sentence-level decisions, structure, revision. Bird by Bird is primarily about the psychological obstacles to writing: fear, perfectionism, envy, silence. Different problems, different solutions.
  • Genre and ambition. King writes genre fiction at enormous scale and speed โ€” his advice is shaped by that reality. Lamott writes literary memoir and teaches workshops โ€” her advice is shaped by students writing their first personal essays. The same principles, applied to very different writing lives.

Our Verdict

Read both. They cover different ground in ways that are perfectly complementary. On Writing will make you a better sentence-writer and kill your worst habits. Bird by Bird will get you to the desk on the days when On Writing's demands seem impossible. King gives you the standards. Lamott gives you the compassion to meet them imperfectly. The conversation between these two books is the full conversation every writer needs to have.

Read both: 10 hours